Sigh Co. Graphics and Xylographilia shirts

Krampus shirt at Wells & Verne in Portland, OR

Krampus shirt at Wells & Verne in Portland, OR

A part of my artistic life that I haven’t discussed much so far but take a tremendous amount of pride in is my creative partnership with Portland’s own Sigh Co. Graphics. These are the talented folks who make it possible for me to offer hand-silkscreened shirts and tote bags featuring my art. If you’ve attended any of my recent sales events, it’s very likely that they were vending at a nearby table piled high with Xylographilia shirts, as well as shirts featuring their own original graphic designs. Sigh Co.’s work is inspired by the fiction of H.P. Lovecraft, horror film and literature, the occult, and other influences, and includes an eclectic range of items from clothing to glassware and beyond.

Roger D. Bones modeling a Cthulhu shirt.

Roger D. Bones modeling a Cthulhu shirt.

Sigh Co. was founded in New Orleans, Louisiana by Brian and Gwen Callahan. After eight years in business, they pulled up stakes and relocated to Portland, Oregon where they have made their home ever since. True to the artisanal spirit associated with Portland, Sigh Co. is a small, locally owned operation specializing in handmade goods that help to support self-employed artists. Of the many reasons I value my partnership with them, at the top of list is the knowledge that together we’re offering high-quality products printed in the USA. The closest attention is paid to ensure that each silkscreened design is a crisp, faithful reproduction of the original woodcut print: a testament to Sigh Co.’s pride in their craftsmanship.

TshirtsThe current collection of Xylographilia shirts features my Raven, Wyrm, and Phoenix, as well as a Shub-Niggurath work shirt with my Ram on the front pocket, and a newly redesigned Cthulhu work shirt with the addition of a Lovecraftian “Eye of Providence” that I designed especially for Sigh Co. There’s also that year-round favorite, the Krampus shirt.

We’re considering adding new designs to the inventory, so if there’s a particular woodcut you’d like to see made available as a shirt or tote bag, drop us a line! It may just turn up in the future.

Ashes to Ashes

David Bowie has been an inspiration to me since childhood. I can remember watching the Glass Spider tour on TV, and dancing to “Fashion” and “Scary Monsters (and Super Creeps) with my stuffed animals when they came on the radio. As a teenager I subscribed us to Bowienet internet service and was active in the online Bowie fan community, trading CDs with people all around the world — one online friend, even ended up working for him and got me his autograph. My mom and I traveled to New York City for his 50th birthday concert at Madison Square Garden — we stood in line hours to get a decent place on the floor. We still talk about it to this day. He was great to see live, and if I had a time machine, I’d use it to see shows from his entire career.

I’ve never admired another artist more, and I’m grateful he got to end with a successful musical and a haunting new album.

Thank you Mr. Bowie.

Happy New Year!

Photo courtesy Todd Chicoine Toddcphoto.wix.com/toddchicoinephoto

Photo courtesy Todd Chicoine Toddcphoto.wix.com/toddchicoinephoto

Is 2015 really over already? This year has gone by far too quickly, though perhaps it just seems that way because it was such a busy year. It kicked off with the second annual Curious Gallery here in Portland, Oregon. Curated by local artist and author Lupa, this event is “a festival of the wunderkammer revival” and features an art show, live demonstrations, and hands-on workshops about a range of subjects from taxidermy to cryptozoology and beyond. Curious Gallery 2016 will be held on January 9 – 10, and though I won’t be able to show at it this time I do plan to attend.

This was also my first year attending PantheaCon, which incidentally will be my very first event of 2016! PantheaCon 2015 was the 22nd annual conference of its kind, boasting attendance of 3000+ pagans and polytheists from all over the world. I’ll be back in San Jose, California on February 12 – 15, in the vendor’s room with my usual array of art plus T-shirts. Hope to see you there!

IronThrone

This Throne lacks proper woodcut knives.

In April I was invited to Norwescon 38—the Pacific Northwest’s premiere sci-fi and fantasy convention—as a guest artist. This year’s theme was Distant Horizons, Epic Adventures, and the author guest of honor was none other than the man himself, George R. R. Martin. In addition to participating in the art show, I was invited to be a panelist and share my experiences as a printmaker, a working artist, and an artist with disabilities. I’m pleased to have been invited back this year and look forward to Norwescon 39, check your schedule for my panels and be sure to visit the art show.

April and May brought CthulhuCon PDX and HPLFF San Pedro. These two Lovecraft-oriented events are among my favorites, and feature a selection of short and feature-length films, live readings of Lovecraft-inspired fiction, tabletop gaming demos, and no shortage of art. At both, I was once again a competitor in the Pickman’s Apprentice Live Drawing competition, racing against several other artists to beat the clock and complete an original image based on a prompt issued by the audience. I’m thrilled to say I won at HPLFF San Pedro.

Omens & Portents opened in July at Seattle’s Gargoyle Statuary, and featured a selection of old and new work inspired by Hermetic magic, illuminated art, and alchemy. My work can be found at Gargoyle year-round, so if you’re in the Seattle area I encourage you to stop by and check it out, along with the rest of their huge selection of art.

Cody Goodfellow and friend at NecronomiCon.

Cody Goodfellow and friend at NecronomiCon.

Then in August, I flew to Providence, Rhode Island for NecronomiCon. Since this was Lovecraft’s 125th birthday and the birth of weird fiction, this year’s conference was a Lovecraft International Homecoming. Some of my prints were in the Ars Necronomica showcase, alongside the work of artists including Skinner, Nick Gucker, Lee Moyer, Paul Komoda, and others. I also assisted with vending at the Arkham Bazaar booth, and signed an awful lot of books. NecronomiCon is an amazing event, and I’m already excited for the next one in 2017.

The 7th annual Esoteric Book Conference followed in September, and once again I enjoyed the privilege of hosting the art show. This year’s featured artists included Raven Ebner, Valerie Herron, Anne O’Neill, Travis Lawrence, Michael Cowell, and Troy Chambers. The lectures were excellent and I particularly loved Oksana Marafioti’s “Magical Realism in Russia: How Ancestry Worship, Shamanism and Christianity Shaped the Nation.” I also somehow managed to make it home without buying too many books.

HPLFF touched down in Portland in October at the historic Hollywood Theatre. This year began with

Proofing Signum Advenit

Proofing Signum Advenit

a 1920s-themed gala celebration with music, dancing, burlesque, and a screening of The Call of Cthulhu. I returned as a guest artist along with Cody Goodfellow, Leeman Kessler, Molly Tanzer, Jeff Burk, and others, and in addition to vending I helped put together Kickstarter reward bags. This involved hand-numbering the limited edition of 250 Miskatonic Expedition log books and creating a Kickstarter reward print, Signum Advenit. I also sat on the Medium of Madness panel, where we discussed artistic media and how they mesh with Lovecraftian influences.

As action-packed as this year has been, there’s plenty more coming in 2016. I can’t say much at the moment, but I’m currently working on a large-scale secret project. While I’ll be reducing the number of shows I attend in 2016, I’ll also be upping the number of woodcuts I’m creating. How much am I upping it? I officially released 7 new print editions and made three 90-minute woodcuts in 2015, I’m already working on 8 new woodcuts, and that’s just a fraction of the large project.

Figure 7. -- The last print from this edition may be seen on The Magicians.

Figure 7. — The last print from this edition may be seen on The Magicians.

In addition to creating new woodcuts, I’m also working on new wood veneer reproductions. Since the response to the cards has been so favorable, I’ll be expanding the wood card series and beginning to offer 8 x 10 reproductions. Also, the SyFy viewers among you should keep your eyes peeled for my work on upcoming episodes of the new series The Magicians, which contacted me earlier in the year for set dressing items. (More on that in a later post.) Finally, I’m in the process of setting up a Patreon that will go live in January. The Patreon will allow me to easily share updates, glimpses into the woodcut process, and offer monthly subscriptions for magnets, cards, and even original prints.

Huge thanks to those of you who’ve continued to show interest in my work by coming to events and exhibiting such enthusiasm for the art of woodcut printmaking. Have a safe and happy New Year, and I’ll catch you all in 2016!

Coupons and Krampus and events

This year has been flying by, and I’m about ready to settle in for a long winter’s work on new art! But first, through December 5th, you can use the coupon code WINTER2015 in my Etsy store for free shipping within the United States. Simply apply the code to any purchase totaling $20 or more and then brace yourself for that hot free shipping action! After all, it’s the holiday season, and who isn’t looking to save a few bucks wherever we can?

Card_Krampus4And speaking of the holidays, December 5th happens to be a special day for another reason, too: Krampusnacht, of course! On this holiday costumed celebrants take to the streets with clanging bells and torches blazing in a parade known as Krampuslauf. Traditionally celebrated in Germany and Austria, Krampusnacht has begun to catch on in the United States, and Krampuslaufs are cropping up in cities all over, including here at home in Portland, Oregon!

Speaking of Krampus, although my woodcut print sold out this year, I’m now offering Krampus greeting cards! Available as individual cards or six packs to convey your seasons greetings, these unique wood veneer cards are available in an array of natural woods. (And if Krampus isn’t your style, you’ll find more varieties here.)

Also, for those of you living here in Portland, I have just two more events to look forward to before 2015 winds to a close. The first is the Bite Studio show this Friday, December 4th, from 6 PM to 10 PM. We’ll be celebrating the 10th anniversary of Bite Studio with an array of our best prints. My selection includes my very first woodcut print, two
unique hand-altered prints, and the most complex print I’ve made to date. (Please note, I will not be in attendance all night, because I will be setting up for my last event of the year.)

Next on the schedule is the annual da Vinci Arts Fair this Saturday at Portland’s da Vinci Arts Middle School. ThisMona-Lisa-on-cream-web-copy
yearly event brings artists from all around Portland into the school to sell their work, with proceeds helping to support da Vinci’s arts and academic classes. I’ll be there Saturday, December 5th from 10 AM – 6 PM with a selection of prints, cards, bookmarks, and magnets—ideal for stocking stuffers—as well as my popular Krampus shirts. Stop by and say hello!

Lastly, beginning on December 11th some of my work will be showing as part of the Print Arts Northwest exhibition From Here to There
at the Coos Art Museum in Coos Bay, Oregon. The show runs through February 6th, 2016.

Join me this weekend at Living Dead Con!

Hello, Portlanders! I hope you’ll join me this weekend at the Oregon Convention Center for the first annual Living Dead Horror Convention. This three-day celebration of horror culture and entertainment kicks off tomorrow, November 13th, at 4PM and runs through Sunday, November 15th at 5PM. There will be author and publisher panels, movie screenings, photo ops, and more.

I’ll be there in Hall B vending at Booth #6 (see map below) with a selection of old and new woodcuts, postcards, bookmarks, magnets, and other merchandise. You’ll even be able to find a couple prints I don’t offer online. Sigh Co. Graphics will also be nearby in Booth #62 with shirts featuring more of my work.12240925_10153131354915009_980984857803745112_oHope to see you all there!

 

Happy Halloween!

 

2015-pumpkins-lit2Pumpkins-2015
Looks like Halloween is going to be a soggy one here in Portland, Oregon. Hope it doesn’t keep the trick-or-treaters indoors, because getting to see the costumes is part of what I love about Halloween! I realize some folks don’t care much for the scary aspects of the holiday, but for those out there who are weird like me, this is the best holiday. You get to play at being someone else for a bit, test your bravery against the dark, and if you like creating, you’ve got so many opportunities in the form of costumes, decorations, pumpkins, make-up, even just making funny voices! Have some fun, and watch out for the little goblins out there tonight.

If Halloween isn’t enough to fill your need for scares, the Living Dead Convention is happening November 13-15 in Portland, Oregon. I’ll be in the vending room with my most horror appropriate works.

Also, (particularly if you’re a Lovecraft fan) check out the November issue of Rue Morgue and be sure to check out the Fright Gallery to find out who Skinner’s favorite Lovecraftian artists are.

 

H.P. Lovecraft Film Festival highlights

The Miskatonic Explorer's Club expedition kit contents

The Miskatonic Explorer’s Club expedition kit contents

Pre-show volunteering

2015 was the 20th anniversary of the H.P. Lovecraft Film Festival. It’s been an annual part of my life for over a decade and has spawned a a great deal of art. I’ve made some great friends through the festival, and had a lot of great opportunities arise from connections formed in and around the historic Hollywood Theatre. This is why in addition to being a guest of the festival and creating a Kickstarter reward print, I volunteered to help put together Kickstarter backer reward bags. Due to my unique skills as a printmaker, I was set to work hand-numbering the limited edition Miskatonic Expedition log books. All 250 of them. It went surprisingly fast. Numbering an edition is easy when you don’t also have to write a title and sign it! Afterwards, I helped make vault rubbings with gravestone wax. No idea how many; they were being added to the kits almost as soon as they were done. I didn’t even get a chance to examine my own Expedition Kit until well after the festival, and when I did I was surprised by some very familiar names on the R’lyeh map. Brian Callahan really did an amazing job designing the map and other rewards. The log book (authored by Adam Scott Glancy) proved to be an entertaining read in addition to being beautifully arranged!

Speakeasy party

Though the film festival didn’t start until Friday night, events started Thursday night with a book launch and party at the Lovecraft Bar, as well as a small speakeasy party for festival backers and guests of honor. I spent most of my day preparing my vending gear and art for set-up Friday afternoon, and just managed to get my work done in time for the speakeasy party. Glad I did, too, because it isn’t every day I have to give a bartender a pass phrase to find out how to get through the bookcase in back and into the event. Once past the hostess and bouncer, I encountered HPLFF founder Andrew Migliori, who immediately introduced me to guest of honor Jeffery Combs. We chatted for a bit before I set out to acquire a Barn Burner and mingle. Many festival regulars were in attendance as well as several folks who had never before attended. They’d heard about the festival and were excited enough to purchase VIP tickets. I didn’t happen to follow up with any of the new folks at the end of the festival, but I do hope they enjoyed the entire experience!

Memento ticket and playbill -- the H.P. Lovecraft Historical Society went all out!

Memento ticket and playbill — the H.P. Lovecraft Historical Society went all out!

HPLHS Call of Cthulhu screening

Friday started early for us so we could stuff the car with gear and arrive at the theatre at noon. My husband Mike has been volunteering with the festival and took charge of getting the theatre prepared for the arrival of vendors. With Caitlin’s assistance, we managed to get our work done in time for the meet and greet at Sam’s Billiard’s. Theatre doors opened at 6pm to give folks time to browse the Mall of Cthulhu and mingle before events started at 7pm. We opted to leave Caitlin in charge of the table so we could attend the opening remarks and the H.P. Lovecraft Historical Society’s Special 10th Anniversary Screening of The Call of Cthulhu. The HPLHS went all out with live performances including the Cirque Macabre, surviving members of The Miskatonic University Glee Club Alumni, burlesque dancer Nina Nightshade, and a collection of shorts and trailers ahead of the feature film. Cigarette girls roamed the aisles with candy versions of their traditional wares.

After The Call of Cthulhu, I slipped back upstairs to tend to my table. By about 10pm I was so exhausted speaking had become a challenge. Suffice to say, we passed on the after-party.

Day Two

New acquisitions. Not shown: the rest of my

A few books

Saturday was a full day starting with the Carb-load for Cthulhu group author signing. Publishers, editors, and authors were present in abundance with books for sale and pens to sign with. Jim Smiley presented me with a copy of Girl’s Night In: The Definitive Edition. Scott Nicolay was there with a handful of the few remaining copies of his glorious tale After. After is now sold out, but I highly recommend taking a look at the publisher, Dim Shores. Dim Shores has been offering very high quality stories paired with excellent art in small production runs. I dropped by the Word Horde table to pick up Molly Tanzer’s Vermillion and Orrin Grey’s Painted Monsters and Other Strange Beasts. I also brought along my personal copy of The Starry Wisdom Library: The Catalogue of the Greatest Occult Book Auction of All Time for Mz. Tanzer to sign. That’s when, to my great surprise, I found out that we have a mutual appreciation for each other’s work. (Later in the weekend she bought some prints from me!)

Molly Tanzer with squamous woodcuts. (I'm still giddy over this.)

Molly Tanzer with squamous woodcuts. (I’m still giddy over this.)

Once the theatre opened, my husband was kind enough to grab a seat for me in the last screening of Final Prayer a.k.a. The Borderlands. This found footage film wouldn’t have attracted my attention, except Scott Glancy was recommending it as a film that left him uncomfortable. I am not a big fan of the found footage genre because I get motion sick easily from shaky films, but I gave it a chance and was not let down. I’ve been a fan of scary movies for as long as I can remember, and these days very few actually manage to evoke true tension and shock. Final Prayer did. It’s not widely available in the United States, but can be digitally acquired via Amazon. If you decide to give it a try, I highly recommend avoiding reviews so the ending isn’t spoiled, the trailer online is also subpar, don’t bother with it. Watch Final Prayer with the sound turned up, lights down, and no distractions (I noticed a theme with the 1 star reviews — they were from people who didn’t pay attention and missed a great deal of the plot.) The first few minutes are the roughest visually if you get motion sick like I do, but after that the film is smoother. This isn’t a slasher film, there’s character development and a slow tension build. Enjoy it.

Ask Lovecraft Live

Ask Lovecraft Live

Once Final Prayer was over I unclenched my limbs and stumbled out to see Leeman Kessler’s Ask Lovecraft Live! I’ve been enjoying his videos on YouTube since CthulhuCon earlier this year, but I didn’t get the chance to see him perform live there, or at NecronomiCon Providence. It’s amazing how often you can cross paths with someone at an event and never really get to see them do their thing. I’m glad I’ve remedied the issue. Kessler is amazing as H.P. Lovecraft and handles questions of all stripes quite deftly. Check out his YouTube Channel (updated 3 times a week!) and if you really enjoy what you see, consider supporting Ask Lovecraft on Patreon.

Medium of Madness panel

Saturday night I was a panelist alongside John Donald Carlucci, Lee Moyer, Mike Dubisch, and Toren Atkinson (yes, of Darkest of the Hillside Thickets). It was a lively discussion about our artistic mediums and how they mesh well with Lovecraftian horror. Even though I’ve known most of the panelists for years, I think we all learned a few things about each other’s process that we didn’t know before. Carlucci was encouraged to try his hand at scratchboard, and has begun experimenting with the medium already.  It appears to suit him well and I look forward to seeing what new works may arise from the clayboard. Artists, if you ever had the opportunity to be a panelist on a group discussion like this, but you’re not sure you can handle public speaking — give it a try! It really isn’t as difficult as you’d think, and it can be a very fruitful experience. Also, if you have the opportunity to just attend one — do it! There is also audience Q&A and depending on the size of the audience, you might get some quality discussion with the pros.

Day Three

The only color Tsathoggua remaining

The only color Tsathoggua remaining

Though I wish we had stayed for the after party (Toren Atkinson played a Darkest of the Hillside Thickets acoustic set!), we desperately needed sleep and Sunday was going to start early with the Cthulhu Prayer Breakfast. I also had to get up a bit extra early since I had promised Leeman Kessler some Blue Star Donuts so his only Portland doughnut experience wouldn’t be Voodoo Donuts. (Don’t get me wrong, Voodoo Donuts are fun, but when it comes to flavor, Blue Star is the place to go!) Breakfast was buffet style and once everyone had a full plate, Festival Founder introduced Robert Price, whose “sermon” was  followed by the astounding Cody Goodfellow. Goodfellow was on quite a tear regarding the racist aspects of Lovecraft’s work, when who should come charging from the back of the room but H.P. Lovecraft himself, frothing with indignation over the treatment of his works. Goodfellow administered a Bladerunner-esque series of questions to Mr. Lovecraft before it became obvious an exorcism was in order. The results are debatable, but at least Mr. Lovecraft survived the lively rendition of “Baby Got Bass” (complete with Deep One and Cthulhu Girl backup dancers) which followed. It was worth the early rising to see.

I spent most of the rest of Sunday at or near my vendor booth, though I did sneak away for a chunk of Shorts Block 5 and was happy to catch Reber Clark’s amusing Derleth’s Brain, Skinner’s animated silent tale, This Horror Most Unreal, and Frank Woodward’s quirky horror, Balloon. After tear down ended we headed to the nearby Moon and Sixpence pub for a bite to eat and just a little more time with other guests and attendees.

A quiet moment in the vendor room with Brian Callahan and Andrew Migliori.

A quiet moment in the vendor room with Brian Callahan and Andrew Migliori.


I wish I could have seen more of the films (and caught some of the readings) during the weekend, but I’ve yet to figure out how to be in four places at once. Really, it is my only regret about the H.P. Lovecraft Film Festival (and many other fine events): It’s simply impossible to take in every event! On the bright side, I am left with a nice pile of new books, an imp skull from Catalyst Studio, and a lot fewer prints than I started the weekend with.

Thanks to Andrew Migliori for fifteen years of the Festival, and to Brian & Gwen Callahan for taking the reigns of this beast! May the Festival live on for many years to come!

The 20th annual H.P. Lovecraft Film Festival

The stars are right...

The stars are right…

Hello again, friends!

Thanks to all of you who made it to last week’s Esoteric Book Conference in Seattle, Washington. The art show this year was as spectacular as hoped, and I am thrilled to have been able to attend a number of the talks this year. I was particularly entranced by Oksana Marafioti’s presentation on ancestor worship, shamanism, and Christianity in Russia. It was a real pleasure to get a deeper glimpse into practices outside western Europe. I also enjoyed Emily Pothast’s talk on art of the Apocalypse which had some nice informational crossovers with Amy Hale’s Sunday presentation on color and form in sacred art. Jesse Hathaway’s Book-as-Initiator: Exegesis and the Transmission of Thought and Lineage through the Printed Word was particularly lively and has left me with a great deal of food for thought. I’m already looking forward to the 8th annual EBC!

Cthulandia Color Proof

Cthulandia Color Proof

For those of you unable to attend, there are a few events for you to look forward to here in Portland, Oregon, beginning with this year’s H.P. Lovecraft Film Festival. Now in its 20th year, HPLFF is an annual celebration of the influence of Lovecraft on film, TV, fiction, gaming, and other forms of art and entertainment. I’ve had the honor of participating in the festival for years and can’t wait to take part in the fun once again.

The 20th annual H.P Lovecraft Film Festival will open to the public at 7:00 PM on Friday, October 2nd and run through 11:30 PM on Sunday, October 4th. However, on October 1st, prior to the formal start time, there will be an official pre-party at The Lovecraft Bar which all are welcome to attend. (Please note: This event will double as a book release party for Garrett Cook’s A God of Hungry Walls.) Tickets are on sale now and may be purchased through the Hollywood Theatre website and box office. Attendees may choose between individual day passes or full weekend passes that grant you admission to all three days’ festivities. Click here for more information.

This one of a kind artist proof will be at the HPLFF

This one of a kind artist proof will be at the HPLFF

Once again, this year’s festival will be held at the historic Hollywood Theatre in Northeast Portland. The fun will commence with a 1920s-style gala screening of that beloved classic film The Call of Cthulhu, as well as live music, dancing, burlesque, and more live entertainment. Guests are encouraged to wear their Prohibition-era best! At this time, the EOD Center will also open for panels, gaming, live readings, and vendors, and the night will be capped off with an after-party at Mazza’s (formerly Tony Starlight’s).

I’m pleased to be returning as a guest alongside fantastic creators including Scott Nicolay, Mike Dubisch, Jeff Burk, Andrew Migliore, Evan J. Peterson, Molly Tanzer, Lee Moyer, Cody Goodfellow, Leeman Kessler, and this year’s guest of honor Charles Stross. Stross, author of the Hugo-award winning novellas The Concrete Jungle and Equoid, will deliver this year’s keynote address. There’s another major treat in store for horror fans this year, too: a screening of Re-Animator followed by a Q&A session with star Jeffrey Combs.

Speaking of Q&As, there will also be a live session of Ask Lovecraft with actor/current brain host Leeman Kessler of the popular web series of the same name. Have a burning question you’ve always wanted to pose to Lovecraft? Well, now’s your chance!

For the unabridged rundown of events, check out the schedule here. Hope to see you there. The stars are right!

Esoteric Book Conference 2015

Abrasax will be available at the Esoteric Book Conference

Abrasax will be available at the Esoteric Book Conference

September is almost over, and for those of us with bibliophilia and a fondness for the arcane, that can mean only one thing: The 7th annual Esoteric Book Conference is almost here! Come to Seattle, Washington and feast your eyes on an incredible assortment of esoteric texts.

Since 2009, this highly anticipated weekend-long event has brought together authors, publishers, scholars, and rare book dealers representing spiritual disciplines from Gnosticism to Shamanism and everything in between. Visitors will enjoy a jam-packed lineup that includes a book fair, numerous illuminating presentations, an art show peopled with noted esoteric artists, and no shortage of education or entertainment. For the hardcore book enthusiasts among you, live author appearances will offer plenty of autograph opportunities, and deluxe ticketholders are invited to take part in a limited VIP event at Re-bar.

Once again, I will have the pleasure of hosting the EBC art show which features works from Michael Cowell, Anne O’Neill, Valerie Herron, Travis Lawrence, Troy Chambers, and Raven Ebner. In addition to our marvelous featured artists, you can look forward to a lineup of presenters including researcher Jeff LaVoie, musician and artist Emily Pothast, anthropologist and folklorist Amy Hale, and many more. For a more in-depth picture of what you can expect from the EBC, click here to read Ariock Van de Voorde’s 2010 review, and check out the complete schedule of this year’s festivities.

DirectionOn a more personal note, I will be offering a selection of prints, including several new pieces, at next weekend’s conference. Especially motivated collectors will be pleased to know that the EBC is held within walking distance of Gargoyles Statuary, which offers a full selection of my original woodcut prints (including a number of sold-out items) as well as shirts, bookmarks, and real wood postcards. Additionally, I am excited to announce that Rubedo Press will be debuting a selection of new titles this weekend at the EBC. One of the volumes, Verdant Gnosis, contains contributions from yours truly.

That’s all for now. I hope to see you all in Seattle this weekend! If you catch me during a moment of downtime, come say hello!

PS: Stay tuned for more information about my next big event: the H.P. Lovecraft Film Festival here in Portland, Oregon. The stars are almost right …